Helmut Lachenmann Pression. Revised Version 2010. This piece originated as an introduction to instrumental musique-concrète. In this sort of piece it is common for sound phenomena to be so refined and organised that they are not so much the results of musical experiences as of their own acoustic attributes.Timbres, dynamics and so on arise not of their own volition but as components of a concrete situation characterised by texture, consistency, energy, resistance.

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