In this arrangement of Fauré’s “Requiem” for soloists: SA, female choir: SSAA, and organ, the tenor and bass parts are distributed among the altos which has necessitated some judicious adaptations in the part-writing. The second soprano replicates the original alto part largely unchanged, while the original baritone solo now resounds in the alto. The organ arrangement takes all three versions of the “Requiem” into consideration but primarily follows the second version of 1893 in terms of the rhy

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