Alexandre Guilmant was one of the greatest representatives of the French Romantic organ school, and composed almost exclusively for his instrument. A rare exception is this “Morceau symphonique”, written in 1902 for the Paris Conservatoire’s annual trombone class competition. The charming piece soon found its way into the repertoire – as did Saint-Saëns’s “Cavatine” (HN 1119) – and is today among the essential standard works of trombone literature. The “Morceau symphonique” is here offered in
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